Tariq Bhat Pays Tribute To Dadasaheb Phalke, The Father Of Indian Cinema
The filmmaker remembers the Hindi cinema legend in a heartfelt post.
Cynthia Jean Daniel has worked across fashion, content, and video production, combining design, storytelling, and media. She has directed over 1,500 influencer videos and worked on digital campaigns, brand promotions, and runway shows.
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Filmmaker Tariq Bhat recently paid homage to Dhundiraj Govind Phalke, widely known as Dadasaheb Phalke, through a heartfelt tribute on his Instagram account. In his post, Bhat acknowledged Phalke’s monumental contribution to Indian cinema, referring to him as “the Father of Indian cinema.”
The post highlighted Phalke’s groundbreaking achievement—his debut film, Raja Harishchandra, which holds the distinction of being the first Indian movie ever made. Bhat’s caption was accompanied by respectful emojis, reflecting his admiration for the pioneer’s legacy.
Dadasaheb Phalke’s contribution to Indian cinema is truly remarkable. His 1913 silent film, Raja Harishchandra, marked the birth of Indian cinema, laying the foundation for what would later become one of the world’s largest film industries. Phalke’s visionary work opened doors for countless filmmakers who followed in his footsteps, including artists like Tariq Bhat who continue to honor his memory today.
The black and white image shared in Bhat’s post appears to be a historical photograph of Dadasaheb Phalke, serving as a visual reminder of the cinema legend’s importance to India’s cultural heritage.
Tariq Bhat, who shared this tribute, is himself a filmmaker with a growing presence in the industry. His Instagram profile reveals his passion for visual storytelling, with a recent post describing his work as “turning thoughts into visual poetry.” His feed showcases his involvement in films, expressing his artistic vision through dreams, thoughts, memories, and life experiences.
Beyond his film projects, Bhat shares moments that inspire his creative process, including sunset scenes that he captures with captions like “Golden hour perfection” and “Sunset.” These glimpses into his personal aesthetic suggest an eye for natural beauty that likely influences his filmmaking style.
By paying tribute to Dadasaheb Phalke, Tariq Bhat demonstrates his respect for the foundations of Indian cinema. This acknowledgment of cinema’s roots shows a filmmaker who understands the importance of honoring those who pioneered the art form that he now practices.
As Bhat continues to develop his projects and collaborate with others in the industry, his recognition of Phalke’s legacy serves as a reminder of the rich history that has shaped Indian cinema into what it is today.
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